Flagpole Radio Café Press Release
NEWS NEWS NEWS NEWS NEWS NEWS NEWS
May 4, 2011
ACCLAIMED BLUES ARTIST GUY DAVIS
TO PERFORM AT
THE FLAGPOLE RADIO CAFÉ
Davis is the
son of acclaimed actors Ruby Dee and the late Ossie Davis
also recognized for playing Dr. Josh Hall on One Life to Live
Newtown, CT - the Newtown Cultural
Arts Commission is pleased to announce that acclaimed blues musician,
composer, and actor, Guy Davis will
be the guest artist for the May 21st edition of The Flagpole Radio Café. Tickets
are now on sale at www.flagpoleproductions.org
. The show begins at 7pm at the Edmond
Town Hall in Newtown, CT. Ticket
prices are $18 for adults, $15 for students and senior citizens. If further information is needed, please
contact us at email@example.com
Producer Martin Blanco remarked, “Since
we began the show we’ve wanted to have an authentic blues artist. We’re so fortunate to have someone as gifted
and celebrated as Guy Davis appear on the program. I had the pleasure of meeting his parents
when I was in graduate school where they were giving a lecture. They were extremely engaging and obviously
very talented actors and writers. I look
forward to meeting their son now and can’t wait to hear how he invigorates
Newtown with his passionate and arresting interpretation of the blues. He’ll have great music and great stories for
Whether Guy Davis is appearing on Late Night With Conan O’Brien, or
nationally syndicated radio programs such as Garrison Keillor’s, A Prairie
Home Companion, Mountain Stage or David Dye’s, World Café, in
front of 15,000 people on the Main Stage of a major festival, or teaching an
intimate gathering of students at a Music Camp, Guy feels the instinctive
desire to give each listener his “all.” His “all” is the Blues.
Guy can tell you stories of his
great-grandparents and his grandparents, they’re days as track linemen, and of
their interactions with the infamous KKK.
He can also tell you that as a child raised in middle-class New York suburbs;
the only cotton he’s picked is his underwear up off the floor.
He's a musician, composer, actor,
director, and writer. But most importantly, Guy Davis is a bluesman. The blues permeates every corner of Davis'
creativity. Throughout his career, he has dedicated himself to reviving the traditions
of acoustic blues and bringing them to as many ears as possible through the
material of the great blues masters, African American stories, and his own
original songs, stories and performance pieces.
Davis' creative roots run deep. Though raised in the New York City area, he
grew up hearing accounts of life in the rural south from his parents and
especially his grandparents, and they made their way into his own stories and
songs. Davis taught himself the guitar (never having the patience to take formal
lessons) and learned by listening to and watching other musicians. One night on
a train from Boston to New York he picked up finger picking from a
nine-fingered guitar player.
Throughout his life, Davis has had
overlapping interests in music and acting. Early acting roles included a lead
role in the film Beat Street opposite Rae Dawn Chong and on television
as Dr. Josh Hall on One Life to Live. Eventually, Davis had the
opportunity to combine music and acting on the stage. He made his Broadway musical debut in 1991 in
the Zora Neale Hurston/Langston Hughes collaboration Mulebone, which featured
the music of Taj Mahal.
In 1993 he performed Off-Broadway as
legendary blues player Robert Johnson in Robert Johnson: Trick the Devil. He
received rave reviews and became the 1993 winner of the Blues Foundation's
"Keeping the Blues Alive Award” presented to him by Robert Cray at the
W.C. Handy Awards ceremony.
Looking for more ways to combine his
love of blues, music, and acting, Davis created material for himself. He wrote In
Bed with the Blues: The Adventures of Fishy Waters -- an engaging and
moving one-man show. The Off-Broadway debut in 1994 received critical praise
from The New York Times and The Village Voice.
Davis' writing projects have also
included a variety of theatre pieces and plays. Mudsurfing, a collection
of three short stories, received the 1991 Brio Award from the Bronx Council of
the Arts. The Trial, (later renamed, The Trial: Judgement of the
People), an anti-drug abuse, one-act play that toured throughout the New
York City shelter system, was produced Off-Broadway in 1990, at the McGinn
Cazale Theater. Davis also arranged, performed and co-wrote the music for an
Emmy award winning film, To Be a Man. In the fall of 1995, his music was used in the
national PBS series The American Promise.
Davis also performed in a theater
piece with his parents, actors/writers Ruby Dee and the late Ossie Davis,
entitled Two Hah Hahs and a Homeboy, staged at the Crossroads Theatre in
New Brunswick, NJ in the spring of 1995. The show combined material written by
Davis and his parents, with music, African American Folklore and history, as
well as performance pieces by Zora Neale Hurston and Langston Hughes. Of Davis' performance, one reviewer observed
that his style and writing "sounds so deeply drenched in lost black traditions that you feel
that they must predate him. But no, they don't.
He created them."
For the past decade, Davis has
concentrated much of his efforts on writing, recording, and performing
music. In the fall of 1995, he released his Red House records debut Stomp
Down Rider, an album that captured Davis in a stunning live
performance. The album landed on top lists all over the country,
including in The Boston Globe and Pulse
Davis' next album, Call Down the
Thunder, paid tribute to the blues masters, but leaned more heavily towards
his own powerful originals. The electrifying album solidified Davis'
position as one of the most important blues artists of our time. It too was named
a top ten album of the year in The Boston Globe and Pulse, and Acoustic Guitar magazine
called it one of the “thirty essential CDs from a new generation of performers.”
Davis' third Red House disc, You Don't Know My Mind, which includes backing vocals by Olu Dara, explodes
with passion and rhythm, and displays Davis' breadth as a composer and powerhouse
performer. It was chosen as “Blues Album
of the Year” by the Association For Independent Music (formerly NAIRD) and the San Francisco Chronicle gave the CD four stars, adding, "Davis'
tough, timeless vocals blow through your brain like a Mississippi dust
Guy’s fourth album was Butt Naked Free the first of all of the albums since that have been produced by John
Platania, former guitarist for Van Morrison. In addition to John on
electric guitar, it includes musician friends such as Levon Helm, multi-instrumentalist,
Tommy “T-Bone” Wolk, drummer Gary Burke, and acoustic bassist, Mark Murphy.
Of the fifth album Give in Kind, Music critic Dave Marsh wrote, “Davis never loses sight of the blues as good time
music, the original forum for dancing on top of one's sorrows. Joy made more
exquisite, of course, by the sorrow from which it springs.” It was this album that caught the ear of Ian
Anderson, founder and lead singer of one of Rock & Roll’s greatest bands,
Jethro Tull, who invited Guy to open for them during the summer of 2003.
Chocolate to the Bone, Guy’s
sixth album followed with more accolades and acclaim including a W.C. Handy
award nomination for Best Acoustic Blues Album.
His latest album Legacy was picked as one of the Best CDs of the
Year by National Public Radio (NPR), and the lead track on it, Uncle Tom’s
Dead was chosen as one of the Best Songs of the Year. This of course is ironic as FCC rules won’t
allow it to be played on the air, but it’s a fitting tribute nonetheless.
Bluesman Guy has contributed songs
on a host of tribute and compilation albums, including collections on bluesmen
Charley Patton and Robert Johnson, for Putumayo Records collections including, From
Mali to Memphis and the children’s album called, Sing Along With
Putumayo, for tradition-based rockers like the Grateful Dead, songwriters
like Nick Lowe, and for Bob Dylan’s 60th birthday CD called, A
Nod to Bob, even on a Windham Hill collection of Choral Music, and
alongside performers like Bonnie Raitt, Jackson Browne, and Bruce Springsteen
for a collection of songs written by his friend, legendary folksinger, ‘Uncle’
Pete Seeger, called, Where Have All the Flowers Gone.
However, the proudest recording
project he’s been involved with is the one produced by his friend Larry Long,
called I Will Be Your Friend: Songs and Activities for Young Peacemakers,
in which Guy contributes the title track. It’s a CD collection of enriching
songs combined together with a teacher’s aide kit to help teach diversity and
understanding. It is all part of the national “Teaching Tolerance” (www.tolerance.org) campaign and continues
to be distributed by the Southern Poverty Law Center, and sent to every public
school in the country to help combat hatred. Guy also wrote a couple songs and recorded
with Dr. John for Whoopi Goldberg’s Littleburg series, and appeared and
sang in Jack’s Big Show, both for the Nickelodeon network and Nick, Jr.
Guy has also done residency programs
for the Lincoln Center Institute, the Kennedy Center, the State Theatre in New
Jersey, and works with “Young Audiences of NJ,” doing classroom workshops and
assembly programs all across the country and in Canada for Elementary, High
School, and College students. Most recently Guy had the honor of appearing in
the PBS special on Jazz and Blues artist, the late Howard Armstrong.
For those not acquainted with
The Flagpole Radio Café, it is an engaging variety show created by
Jim Allyn, Martin Blanco and Barbara Gaines in conjunction with the
Newtown Cultural Arts Commission. It features music by
Jim Allyn and the Flagpole Radio Café Orchestra, a dynamic ensemble created for
the show, and radio style comedy sketches by the hyperbolically named Flagpole Shakespeare Repertory Theatre.
The Flagpole Radio Cafe is hosted by musician and radio personality
Chris Teskey, who also broadcasts the show on his celebrated program on WPKN radio.
Each show features a musical guest artist such as Peter Yarrow,
Vanesse Thomas, Phil Bowler
and Yale’s internationally acclaimed male choir The Whiffenpoofs.